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What kind of inferno are the musicians talking about?
The profane one we all experience day after day?
Or is “inferno” meant to be a metaphor for the freedom of the improviser?
Are they blowing it out or are they blowing it off?
Or are they cancelling it because it is not going to happen?
Or could it be a persiflage on the slippery music business that both musicians have gained experience with from various points of view? more...
What kind of inferno are the musicians talking about?
The profane one we all experience day after day?
Or is “inferno” meant to be a metaphor for the freedom of the improviser?
Are they blowing it out or are they blowing it off?
Or are they cancelling it because it is not going to happen?
Or could it be a persiflage on the slippery music business that both musicians have gained experience with from various points of view? more...

SINGAPORE. A Geopolitical Utopia abounds with both surprise and accessibility. The surprise derives chiefly from Martynov’s decision and ability to pay tribute to an Asian country with music that overwhelmingly comes from the Occident in inspiration and style.

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The work for two pianos of two friends-composers was created 'in correspondence'. Vladimir MARTYNOV (Russia) and Georgs PELECIS (Latvia) sent each other letters with scores of the new parts of the work, which developed and added the initial musical idea. They played and recorded it on May 21, 2002 on two excellent Steinway grand pianos at Tchaikovsky Concert Hall in Moscow. more...