Jazz

What kind of inferno are the musicians talking about?
The profane one we all experience day after day?
Or is “inferno” meant to be a metaphor for the freedom of the improviser?
Are they blowing it out or are they blowing it off?
Or are they cancelling it because it is not going to happen?
Or could it be a persiflage on the slippery music business that both musicians have gained experience with from various points of view? more...

Moods and motifs of Sardinian music, makes obvious comments on them where tenors and launeddas are present, or creates fantastic metamorphoses for them, of course also of the sound. Jazz as the most open of all musical forms is Favata's socialisation. more...

This "Songbook” travels around the globe and is being enriched and transformed by other cultures - especially by mixed cultures such as Jazz and Latin music more...

Gabriel's Message" is for people who understand Keith Jarrett as well as George Winston. Matt leads us back to forgotten worlds of spiritual expression, not to forget the Christmas season. more...

...grabs the listener and twists him around until all his concepts of how violin music should sound drop. Train songs are men's songs, winter travel on rolling wheels, the ways of lonely travelers that mark every train stop with a love-affair. more...

Accordeon, bassoon, percussion: Walk on the wild side with us, feel the seantic presence of Jimmy Smith, Oliver Nelson, Beethoven, Bartok, Georgia, Brazil, New York. more...

Two musicians of Greek heritage play Jazz standards. While listening we become their fellow travellers on their pilgrimage - from Athens, Alexandria and New York to Holy Mt. Athos. more...

the most creative music-making today(Yo-Yo Ma). Listeners can enjoy a representative cross-section of this legendary jazz and rock string quartet fascinating repertoire, with the character of this recording ideally reflecting the ensemble's explosive creativity. more...

Since 1990 piano player Jens Schliecker and vibraphone player Nils Rohwer are successfully playing together as Piano Meets Vibes. Various tours als well as already three highly commended releases made the number of fans grow very fast. Now they present their new, fourth ablum titled "Morning Clouds".

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Improvisations on the saxophone are slowly moving from far away towards the cello and are then building a smooth mixture of lines and colours, where Bachs music and the interpretations of the both musicians continue without any gap.
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Besslers solistic piano cascadesare conveying in all movements and virtuosity as well peace and balance.
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What kind of inferno are the musicians talking about?
The profane one we all experience day after day?
Or is “inferno” meant to be a metaphor for the freedom of the improviser?
Are they blowing it out or are they blowing it off?
Or are they cancelling it because it is not going to happen?
Or could it be a persiflage on the slippery music business that both musicians have gained experience with from various points of view? more...