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Polystylistic
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The work for two pianos of two friends-composers was created 'in correspondence'. Vladimir MARTYNOV (Russia) and Georgs PELECIS (Latvia) sent each other letters with scores of the new parts of the work, which developed and added the initial musical idea. They played and recorded it on May 21, 2002 on two excellent Steinway grand pianos at Tchaikovsky Concert Hall in Moscow.
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What kind of inferno are the musicians talking about?
The profane one we all experience day after day? Or is “inferno” meant to be a metaphor for the freedom of the improviser? Are they blowing it out or are they blowing it off? Or are they cancelling it because it is not going to happen? Or could it be a persiflage on the slippery music business that both musicians have gained experience with from various points of view? more... |
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High-voltage superpower! Music that is rooted and lives in the realm of improvisation and rock combining renaissance texture and melody with driving rhythms of rock, a unique style
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In Bessler´s music heavily rocking guitars clash with the filigreely elaborated clusters of the viola d´amore. His music is raw, unplugged, earthy and genuine, and then, without warning, it suddenly and unexpectedly changes into complexly composed structures of sophistication and finesse.
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